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Proposal for Thesis
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Proposal for Thesis
Reimagining Waste: A Critical Exploration of Unconventional Materials in Contemporary Art and Its Role in Promoting Sustainable Practices through Upcycling and Repurposing in Africa
My research explores how artists use unconventional materials—specifically waste products—as mediums in their work, with a focus on upcycling and repurposing strategies for art-making and activism. In this particular case, I aim to analyze and engage in a critical discussion about how these artists may employ historical and cultural contexts and present matters to interrogate the paradigms of waste and consumption and advocate sustainability. The intersectionality of art, culture, and the African environment creates a rich context for reimagining waste as both a resource and an artistic tool.
Historical and Cultural Influences
Art has proved to be an integral part of African society, and many indigenous cultures have a history of practicing sustainable living as far as art is concerned. Historically, African art has often drawn from the environment, with materials such as wood, stone, cloth, and beads being transformed into significant cultural objects like masks, sculptures, and textiles. (Curnow, 2021). This intrinsic intertwining of art and nature is the crux of my argument because, by looking at how contemporary African artists build on this legacy of resourcefulness, I show that they make art from what is available. Recycling and upcycling of various products is a trend that is evident in most African countries. Some cultural artifacts such as weaving, beading, and metalwork occasionally incorporate recycled items because of creativity and what is available. My research will explore how these historical practices have affected modern art forms, especially current issues like pollution and waste management.
Contemporary Influences
Rapid industrialization and urbanization in Africa have increased garbage generation, causing environmental challenges (Zhang et al., 2024). This has led contemporary African artists to use waste materials to comment on consumerism and ecological deterioration. Other relevant influences on my research are rooted in the current global discussions regarding sustainable development, which have been relatively active in the last several decades. African artists such as El Anatsui, Cyrus Kabiru, and Gonçalo Mabunda are pioneers in employing uncommon materials like bottle caps and electrical garbage to produce stunning works that defy artistic standards and highlight ecological issues. These artists demonstrate that modern African art is not disassociated from contemporary sustainable development plans but underpinned by the culture and geography of the African continent. My study explores how art and action in environmentalism foster sustainability discourse in Africa and the global world.
Personal Motivation and Story
My interest in undertaking this research stems from a deep connection to Africa and my concern for the continent’s environmental issues. Growing up, I witnessed how communities struggle to manage trash and how environmental degradation affects urban and rural areas. This knowledge stimulated my interest in applying ecological concepts to design solutions. Art and the environment are two focal areas of interest to me, and upcycling and recycling as forms of tackling ecological challenges are reflected in this approach. I admire artists’ ability to transform discarded materials into political and beautiful art. My research is driven by a desire to contribute to the sustainability conversation and showcase how African artists are leading the way in reimagining waste. Art exists as a powerful medium in raising awareness about sustainable waste management practices, and through this, people can change how waste is viewed in Africa and the world over.
References
Zhang, Z., Chen, Z., Zhang, J., Liu, Y., Chen, L., Yang, M., Osman, A. I., Farghali, M., Liu, E., Hassan, D., Ihara, I., Lu, K., Rooney, D. W., & Yap, P.-S. (2024). Municipal solid waste management challenges in developing regions: A comprehensive review and future perspectives for Asia and Africa.
Science of the Total Environment,
930, 172794.